![]() ![]() Likewise, to explain the Bernsteins would be to deprive them of their mystery. If feeling philosophical, you can watch Leonard on YouTube delivering his lecture series The Unanswered Question at his alma mater Harvard in 1973, in which he addresses where music might be headed, pointing to diversity as mankind’s universal quality, focusing on the philosophy of beauty and claiming that to explain music is to deprive it of its mystery. Beautifully shot, paced, and performed, the writer-director’s meticulous, character-driven storytelling meshes perfectly with his prolonged new medium. The film opens with an on-screen quotation from Leonard: “A work of art does not answer questions it provokes them.” Simultaneously, a giant inflatable Snoopy floats by their window, giving ironic emphasis to her rebuke. It’s a brilliant film, for an adult audience.Īs tensions in the Bernsteins’ marriage mount, there’s a bedroom fight while Macy’s Thanksgiving Day Parade goes on outside.Īt the height of the row, Felicia warns Leonard that if he isn’t careful, he’ll end up “a lonely old queen”. We have been told that if we are to see the truth of things as it is, we must disengage our minds from the deeply rooted asso- ciations and conceptions of. ![]() “It’s a love story as unruly, passionate and expansive as the flawed and fascinating people at its centre.” She says Maestro “isn’t a Great Man tale - if anything, it’s an ode to a Great Woman, but it’s something deeper, messier and more unresolved”. The Washington Post’s Ann Hornaday says it’s “a movie that bursts with moments of clarity about a man who, despite Cooper’s all-in performance, somehow remains an enigma”. ![]()
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